Ugly Kid Joe – Cats In The Cradle

“Cat’s in the Cradle” is a 1974 folk rock song by Harry Chapin from the album Verities & Balderdash. The single topped the Billboard Hot 100 in December 1974. As Chapin’s only No. 1 hit song, it became the best known of his work and a staple for folk rock music. In 1992, the hard rock band Ugly Kid Joe included a cover of “Cat’s in the Cradle” on their debut album America’s Least Wanted. The cover was issued as a single in 1993 and peaked at number six on the Billboard Hot 100, the group’s highest ever position on that chart. The song also peaked at number three on the Billboard Mainstream Rock Tracks chart. Chapin’s and Ugly Kid Joe’s singles were both certified Gold by the Recording Industry Association of America.

Stevie Nicks – Edge of Seventeen

“Edge of Seventeen”, also known by the alternate title “Just Like the White Winged Dove” drawn from the first line of its refrain, is a song written and recorded by American singer-songwriter Stevie Nicks, the third single from her successful 1981 solo debut album, Bella Donna. Written by Nicks to express the grief resulting from the death of her uncle Jonathan and the murder of John Lennon during the same week of December 1980, the song features a distinctive, chugging 16th-note guitar riff, and a simple chord structure typical of Nicks’ songs.

Tori Amos – Cornflake Girl

“Cornflake Girl” is a song by American singer-songwriter and musician Tori Amos. It was released as the first single from her second studio album Under the Pink. It was released on January 10, 1994 by EastWest Records in the UK and on May 5 by Atlantic Records in North America. Two music videos were produced for the single, as the original one was deemed too weird for American audiences.

The White Stripes – Seven Nation Army

“Seven Nation Army” is the first track on the album Elephant by American alternative rock band The White Stripes. It was released as a single in 2003 and is arguably the band’s best-known song. “Seven Nation Army” reached #1 on the Modern Rock Tracks for three weeks and won 2004’s Grammy Award for Best Rock Song. It also became 3rd best performing alternative song of the decade on the same chart. The song is known for its underlying riff, which plays throughout most of the song. Although it sounds like a bass guitar (an instrument the group had never previously used), the sound is actually created by running Jack White’s semi-acoustic guitar (a 1950s style Kay Hollowbody) through a DigiTech Whammy pedal set down an octave.